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I thought that the film had worked without the narration. (As recounted in Paul Sammon’s book Future Noir, Ford referred to it as a “f*cking nightmare. The voiceover (written by an uncredited Roland Kibbee) sounds like a hostage reading a ransom letter, and it basically was. Gaff being represented in the form of a heavily Orientalized Mexican-American actor wearing blue contact lenses, who walks with a cane and loves origami. In what’s now know as the “theatrical cut,” Harrison Ford’s Deckard helpfully explains, among other things, “Cityspeak,” the “guttertalk, a mix of Japanese, Spanish, German, what have you,” spoken by the Edward James Olmos character, Gaff, in the opening scene. At the time it was so bewilderingly complex that the studio tacked on a voiceover. In the same way, Blade Runner (1982) creates a jam-packed future world full of narrative side streets that Scott leaves largely unexplored. At the time it was all just elaborate backdrop. Who those aliens are, where they came from, or what they want we never find out - at least not until Alien: Covenant, when the answers are kind of disappointing.
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The craft is an unforgettable set, a vessel that seems to have been designed for gigantic humanoid aliens. In Alien (1979), the human crew of the Nostromo follows a distress beacon to a spacecraft. In the late 70s, they flipped you the bird.
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Almost every scene has some esoteric Easter egg, some choice clearly made but not explained, and these days, leaving a choice unexplained is like leaving money on the table. If you watch one of Ridley Scott’s early movies with a 2017 brain and 2017 expectations, it feels almost as if Scott deliberately structured them as sequel bait, teasers for expanded universes before the “expanded universe” was even a thing.
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